4.5 x 6.5 oval gouache on illustration board.
"Hello, there, friend..."
This piece came completely out of left field-- I did the lineart in a bar on a whim (since it's so close to my upcoming August show, I always have some primed illustration board in my bag to work on-- it's a sickness, I tell you!) and the setting developed as I was painting. I'm so surprised by it-- I wasn't planning on it being this dark, but I really love this place I discovered, so safe and dreamlike... I had to restrain myself from painting prehistoric insects slicing the air...
I don't know if it's readily apparent, but our little adventurous friend has a Darwin fish on the back of his boat.
11 x 14 full size, 8 x 12 image size gouache on illustration board.
click for details--
I've always thought that ocean living is probably pretty bleak once you move away from the reefs & caves... very lonely. Best bet is to colonize & fortify. (although I hear the turtles like these jellies the most, on account of their incredible delicious crunch...)
11 x 14 gouache on illustration board.
I am so very happy to be able to share this piece at long last. I've been thinking of this place for a very long time; the size itself of this piece, since I've gotten so accustomed to working small, is really satisfying-- you can really get lost walking around in it, if you know what I mean. Buy yourself a sausage, or perhaps a slave-boy, while you're there. Watch out for those damned aukle birds, though, they'll snatch away either in a moment.
click for details.
This was definitely one of those sorts of rabbit-hole pieces where the details could be laid on (and on, and on) until one's eyes roll out of one's head, but for sake of deadline and sanity let's call this one done.
//edit: I added a pic of the inside of the beast. Now my geekiness shall be revealed to the whole world, not just those who can stick their face close enough to this in person to see...
4.5 x 6.5 oval gouache on illustration board.
I've had actual humans haunting my sketches for a while but none have made it into a painting for a long time. I don't know why, but I've had a hard time making them fit into narratives---sometimes their presence seems so forced and pointless--and my little long-necked baddies always seem more fit for the job. Anyway, here's a good complicated narrative, including a human.
I may continue to be under the radar for a while, but it's only because I'm cooking up Very Special Things. One of these selfsame things is lurking in this piece; it can barely wait to come to fruition.
